Alphaxone & Dronny Darko – Beyond The Event Horizon (Album – Cryo Chamber)
#post_seo_title
Genre/Influences: Cinematic, Dark-Ambient, Drone.
Format: Digital, CD.
Background/Info: Six years after the “Forsaken”-album Mehdi Saleh (aka Alphaxone) and Oleg Puzan (aka Dronny Darko) joined hands again for a new Iranian-Ukrainian collaborative work. Both artists are quite familiar and renowned names from the Cryo Chamber roster and next to having released different solo-works, they also like to collaborate with other artists.
Content: The album reflects a dark sound universe with a strong visual appeal. Intense, heavy, sound waves have been mixed with field recordings plus an interesting canvas of noises and effects. The work is mixing elements of Drone, Dark-Ambient and pure Cinematic music.
+ + + : Both artists gained a wider recognition while remaining really prolific. This second album between Alphaxone and Dronny Darko sounds more mature and accomplished than its predecessor. We now feel a true harmony resulting in a dense, and apocalyptic atmosphere which is mainly coming through at the beginning of the work. The long, elaborated, and poignant sound waves have been masterly fused together with subtle noises, aquatic field recordings and effects. The tracks are characterized by a slow progression.
– – – : The cuts are becoming a bit predictable during the last part of the work.
Conclusion: This is a successful collaboration between two, talented and visionary artists of the Dark-Cinematic music universe.
Best songs: “Out Of Orbit”, “Shadow Constellation”, “Signal Erosion”, “Transmission Zero”.
Rate: 7½.
Artists: www.facebook.com/alphaxone / www.facebook.com/dronnydarko
Label: www.cryochamberlabel.com / www.facebook.com/CryoChamber
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
