808 Dot Pop featuring Noemi Aurora – Blackbodies (Pulsation) (EP – Alfa Matrix)
Genre/Influences: Electro-pop.
Format: Digital.
Background/Info: The name of this project clearly refers to the legendary rhythm box TR 808 from Roland. This project set up by Metroland’s ‘Passenger S (aka Sven Lauwers) assisted on the title track by Helalyn Flowers’ singer Noemi Aurora, resulted from the artist’s passion for electronic-pop music. “Blackbodies” is the first take from the announced debut album “The Colour Temperature”. It has been released in two different versions, the “Pulsation”-edit is more a single revealing two songs.
Content: The title track has this typical ‘Kraftwerk-ian’ touch, but the song also comes close to Metroland, but with an extra poppy touch on top and featuring the vocals of Noemi. She sings a less powerful way than what we’re used to hearing from Helalyn Flowers.
The B-side cut sounds a bit harder, but still into the retro electro-pop vein. This song is an instrumental edit.
+ + + : “Blackbodies” is a cool song and the right title-track for an EP or single. I like the vintage format of the song, which will clearly appeal to lovers of80s electro-pop. “Cie 1960 (Color Space)” is much more than simply a B-side track; it’s an efficient piece confirming there’s a real potential hiding behind 808 Dot Pop.
– – – : Even if it’s retro-like and for this reason totally matching with the approach of this project, I don’t like fade outs! 808 Dot Pop sounds a bit different from Metroland, but there are much more links than only the presence of ‘Passenger S’. I personally prefer the B-side song instead of the title track.
Conclusion: This is an honest debut for a new project, which doesn’t sound that new at all…
Best songs: “Cie 1960 – Color Space”, “Blackbodies – Pulsation”.
Rate: (7).
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
